![]() The only problem is the one stated before, where Komplete Kontrol randomly chooses to reset pedal CONFIGURATIONS. ![]() but a couple of mouse clicks and I’m back in business, easy peasy. So, while I’ll be among the first to say NI support is pretty terrible for a pro to wade through, going back to Kore 2 and what was it, Komplete 6 at the time, sometimes they fix things, and sometimes it’s not their fault. I wonder why the DP-10 is not working for you as well as it works for me. Remember that all these people on the forum complaining come here to do so people with working rigs won’t tend to come here to pump NI’s tires in a user forum therefore while we may all see the complaints on the forum, you may never know that people like me exist with a working KK/DP-10 combo.With a beautiful mid-range and a light twinkle in the high end, the Yamaha C7 is an excellent choice for blues and folksy music, especially old American classics. It offers a unique blend of smoothness and character that practically beg you to throw in a few jazzy ornaments here and there. While perfectly suitable for orchestral writing, this piano shines in genres like stride and ragtime. ![]() Pianos was created with a singular goal: to fully capture every sonic detail possible from 4 of the most sought-after grand pianos in the world by any means necessary. With 3 individual mic positions, 8 separate articulations, and up to 18 velocities per note for each articulation, the detail and stereo image of every piano is highly customizable to your exact performance and mixing needs out of the box. ![]() You can easily mix multiple mic positions and simulate the damping effects of a real grand piano lid for each instrument, giving you full performance flexibility. Listen to any of the audio demos of Pianos, and you'll find it difficult to believe the performances weren't recorded live in a concert hall. You need R2R PLAY/OPUS release to use this library (as a witch has said.) Recorded in a specially-prepared piano environment with vintage Neumann microphones, Meitner AD converters and a classic 8078 Neve console Close mic recordings engineered by Ken Scott (Elton John, Supertramp, David Bowie, The Beatles) Includes the same impulse responses used to record Symphonic Orchestra and Symphonic Choirs, allowing all 3 to blend easily and seamlessly Created by award-winning sounds producers Doug Rogers and Nick Phoenix Pianos seamlessly transitions between 7 different articulations: sustain, sustain with pedal, repetitions, repetitions with pedal, soft pedal, soft pedal with sustain pedal, and staccato, with individual release trails.Įvery piano (Steinway, Bösendorfer, Bechstein and Yamaha) has enough fine detail to suit everything from quiet, subdued passages to virtuoso performances-and you can push their dynamic range as hard as you need to, effortlessly jumping between pianissimo and fortissimo as desired. Read the included txt file in the DECiBEL dir for install instructions. So far my favorite for practicing/learning is Piano in Blue, can't help it. I find the Timbre/Tone, and even the Attack of the notes to be so Tasty and on the spot. Ravenscroft is so incredibly Clear and Clean it's amazing,īut it's got a much Brighter sound, more akin to pure Classical, Noire is great too, and very Featured/versatile,īut as good as it is, there's some kind of "synthetic modulation" going on in the sustained notes which distracts me a little. I think Pianoteq is very impressive for what it is,Īnd I agree it beats most mid level piano libraries.īut I don't know, the resonance is not perfect,Īnd I find the Attack of the notes very monotonous/repetitive.Īs if every note had the same attack sound/tone, So in the end I always crave for Piano in Blue.
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